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I am an artist and stage designer based in Berlin and London.
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I currently research under the broad themes of spatial design, animated image matter and performance theory.
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My mediums are made up of cinematic- and lecture performances, video and stage design for theatre, ceramic model-making and artistic workshops.​
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I am an artist and theatre designer based in London and Berlin.
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Recent research projects include 'Animatronics: the movements of mechanical puppets in the horror genre' funded by Fonds Darstellende Künste (2023); and 'Cartoon Ghosts: an investigation into spirituality in the entertainment industry' as part of a residency at the University of the Underground (2021).
Contact:
Email: chloe.coco.ck@gmail.com
Instagram: @chloe_scarlet_elsie
​Exhibitions:
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• 02/2025 – 'Urban Waters', Bad Tiefenbrunnen, Zurich, Switzerland
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• 07/2023 – ‘Casino Real’, casino ruin under Alexanderplatz S-Bahn, Berlin
• 06/2023 – Kunst Loose Tage, Oderbruch, Brandenburg, Germany
• 10/2022 – ‘Big City Baby’, Zentrum für Aktuelle Kunst, Berlin
• 10/2022 – ‘Erdbeeren und Butter’, Kunstverein Paulinenaue, Brandenburg, Germany
• 06/2021 – ‘I Want to Believe’, online, University of the Underground
• 09/2020 – ‘Sustainability Roots’, Feminist Library Budapest
• 02/2019 – ‘Deep Sea’, part of ‘Transmediale Vorspiel’ festival of art and digital culture, Berlin
• 01/2018 – ‘Tate Exchange’, Tate Modern, London
• 10/2018 – ‘Made in Arts London’, TM Lighting, London
• 10/2017 – ‘Fem Fatale’, The Concept, London
• 09/2017 – ‘Art and the Anthropocene’, Central Saint Martins, London
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Theatre:
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• 02/2026 – Video Artist & Stage Design, Mitleidsprotokoll, production at Münchener Kammerspiele, Werkraum. Direction Ruben Müller
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• 12/2025 – Video Artist, CAST*, production at Filmpodium Zürich. Direction 3rd Echelon Theatre
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• 07/2024 – Video Artist & Stage Design, Based On A True Story, production at Münchener Volkstheater, Bühne 3. Direction Ruben Müller
• 10/2023 – Video Artist, Upload Virgin; production at GRIPS Theater Berlin. Direction Jacqueline Reddington
• 02/2023 – Performer, Der Diskrete Charme Der Reduktion; production at Komische Oper Berlin. Direction Schorsch Kamerun
• 09-10/2022 – Stage Design, Alles in Ordnung; production at Theater Discounter Berlin. Direction Charlotte Lorenz
• 08-09/2021 – Performer and Costume Design, Karagörlz, production at Theatre Aufbau Kreuzberg, Berlin. Direction Neslihan Arol
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Residencies:
• Feb–May 2024 – NART, Narva, Estonia
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• Feb–April 2022 – ‘Parakata’, Michoacán, Mexico
• May–July 2021 — 'I Want to Believe', University of the Underground, online
• July 2020 — ‘Variations on Beckett’, Nesodden, Norway
• April–June 2019 — ‘The Usual’, Jaywick, Essex, UK
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Prizes and Grants:
• 2023 – Fonds Darstellende Künste e.V. Research Grant
• 2020 – Shortlisted nominee of CASS Art Prize
• 2020 – Shortlisted nominee of Sid Motion Gallery Prize
• 2016 – Worshipful Company of Needlemakers Prize, awarded by the Lord Mayor of London
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The performance work is largely site-specific, often taking place in repurposed spaces or buildings impending demolition.
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My theatre work takes place in both independent and state theatres in Germany and Switzerland.​