MITLEIDSPROTOKOLL
– every tear recorded
MITLEIDSPROTOKOLL – every tear recorded
Kammerspiele, Munich, dir. Ruben Müller
Premiere 19th February 2026
“I shall disappear, having hidden nothing.” – Hervé Guibert, 1992
"In his writings, photographs, and documentary films from the late 1980s, Hervé Guibert grapples in a unique way with his own AIDS diagnosis and that of those around him. In his writings, he combines radical honesty—the revelation of all secrets, the chronicling of every tear—with a deeply personal self-reflection: What does it mean to write, photograph, and document in times of despair? What does it mean to lay oneself bare without mercy and thereby immortalize oneself? Guibert’s texts must do without happy endings; forgetting them is not an option. So what role can they play today in remembering and dreaming for our (queer) lives? Mitleidsprotokoll – every tear recorded confronts the paradox that our visions of a more just, freer future must grow out of memories of pain, stigmatization, and loss." – Münchner Kammerspiele
Performers // Julius Gruner, Elisabeth Nittka, Konstantin Schumann
Direction // Ruben Müller
Stage and Video // Chloe Kelly
Costume // Jacqueline Elaine Koch
Dramaturgy // Paulina Wawerla
Costume Assistant // Tabea Helena Tatge
Director's and Dramaturgy Assistant // Emily Schuster-Woldan
Stage Design Assistant // Käthe Hochwimmer
Photos ©️ Sima Dehgani
Based On A True Story By Truman Capote
Based On A True Story By Truman Capote - a Video Essay
Volkstheater, Munich, dir. Ruben Müller
Premiere 4th July 2024
"In 1959, the Clutter family in Kansas was murdered in cold blood in the middle of the night. Just seven years later, the author Truman Capote published an incredible novel about the crime. His research was as unique as it was questionable. In his book, the film based on it, and the real case, the who, where, when and how are clarified - only the why remains open. In the video essay "Based on a true story by Truman Capote," three performers delve into the famous crime case, entangle themselves in digressions and spin a web driven by conspiracy and paranoia. What does the fatal assassination of the 35th US President Kennedy have to do with true crime? What does it mean when people feel as if they are no longer living in our shared reality, but in a film, a story? And how can a real event be portrayed at all?" – Volkstheater München
Performers // Nicolai Kaps, Cornelius Kiene, Elisabeth Nittka
Direction // Ruben Müller
Stage and Video // Chloe Kelly
Costume // Katharina Quandt
Dramaturgy // Paulina Wawerla
Mentor // Hannah Schünemann
Director's Assistant // David Schmidt
Photos ©️ Sabrina Lößl-Lamboy
Upload Virgin
Upload Virgin
GRIPS, Berlin, dir. Jacqueline Reddington
Premiere 21st March 2024
"A play about online culture, toxic masculinity and the search for the right place in the midst of first love.
Like many teenagers, 14-year-old Luc lives digitally...What does it mean to be a "real" man and how do you have a first love affair? He searches for answers on the endless internet: from social media stars and fitness trainers to dating coaches, pick-up artists and porn stars. They all know how to do it. Luc's expectations of himself and Pauline rise immeasurably... In a moment of carelessness, he sends a questionable message to Pauline instead of his mates. A conflict arises that puts their continued acquaintance to the test."
– GRIPS Berlin
Performers // Marcel Herrnsdorf, Lisa Klabunde
Direction // Jacqueline Reddington
Stage and Costume // Florian Buder
Music and Composition // Markus Rom
Video // Chloe Kelly
Dramaturgy // Tobias Diekmann
Theatre Pedagogy // Anna-Sophia Fritsche
Director's Assistant // Christina Tischler
Photos ©️ David Baltzer
Alles In Ordnung
Alles in Ordnung
Theater Discounter Berlin, dir. Charlotte Lorenz
Premiere 14th Oct. 2022
"Alles in Ordnung takes us to the film set of a crime thriller. While we follow a hot lead, the actors go in search of that “police feeling”. Based on interviews with real police officers, candidates and those who embody them in films and series, the suspense of the investigation creates a documentary fiction about the self-image of police officers on screen and in real life.
In the interviews, it became clear how great the influence of idealized crime images is on people's desire to become a police officer. With their ensemble, they condense the collected, conflicting original tones into a funny plot and examine the potential to question the institution. Could reflecting on media representation encourage us to imagine a world without police?"
– Theater Discounter
Performers // Linda Vaher, Johanna Meinhard, Jakob D’Aprile
Direction // Charlotte Lorenz
Text // Charlotte Lorenz, Jakob D’Aprile
Dramaturgy // Olga Hohmann
Stage, Video, Camera // Milena Bühring
Stage // Chloe Kelly
Costume // Nuria Heyck
Costume Assistence // Felicitas Fairlie
Production Manager // Jasna Witkoski
Director's Assistence // Charlotte Schmekel
Photos ©️ Lea Hopp
Karagörlz
